ARTVENICE BIENNALE IV announces high profile judges and extends entry deadline by Anna Salmeron

So The Biennial Project, the group putting together ArtVenice Biennale IV is very happy to announce that we are extending our entry deadline from Feb 15 until March 9th. Enter ArtVenice Biennale IV

Yay, that gives you, the artists whose work we are dying to see, three more weeks to enter ArtVenice Biennale IV!! Enter ArtVenice Biennale IV

So don’t delay, or delay a little now, but not too long, and submit your work!! We want to see it. So do our globally renowned jurors giving out special recognition individual prizes.

Just in case you did not see how cool our jurors are we have listed them and their credentials below. Most important to us is that fact that each of our special jurors have shown in one of the most recent Venice Biennales!

Argelia Bravo, 56th Venice Biennale, Venezuelan Pavilion, born  in Caracas in 1962, studied at the Central University of Venezuela (1980-1983), at the School of Visual Arts Cristóbal Rojas (Caracas, 1979-1981) and at the Centro de Educacion Gráfica CEGRA (Caracas, 1981-1983).  Noted Venezuelan artist whose work has been influencial in transfiguring the relations between art, society, politics and culture in general. Her body of work celebrates the essence of the woman, mapping power that emerges outside the official structures of society.

Binelde Hyrcan, 56th Venice Biennale, Angolian Pavilion, born in 1982 in Luanda, grew up in Angola. Shocked by the images of war in his youth, he saw the real consequences of political decisions. His work across painting, drawing, sculpture, film, performance and installation often addresses the absurdity represented by political and social customs and attitudes, particular critiquing structure and power and human vanity. He has exhibited widely across the globe.

Camille Zakharia, 55th Venice Biennale, Bahrain Pavilion, was born in Tripoli, Lebanon in 1962 and lives between Bahrain and Canada. As an exile of the decades-long Lebanese Civil War, Zakharia’s itinerary is a tale of immigration, between the United States, Turkey, Greece, and ultimately Canada and Bahrain. The celebrated photographer, graduate of the Nova Scotia College of Art & Design, is an experienced surveyor of the contemporary human condition as it has become inherently entangled with processes of migration, immigration, globalization and displacement. Within this process is an exploration of home, identity and belonging in the context of a globalized condition. He has received numerous accolades for his work including the first place prize in the International Photography Awards in 2006 and 2007. He has exhibited widely.

George Camille 56 Venice Biennale, Seychelles Pavillion, born on the island of Mahe in 1963. From a young age, he took an interest in working in Charcoal & Pencil. His works developed into Watercolour, Gouache & Acrylic. He studied at Blackheath Collage of Art and Goldsmiths College, both in London. In 1987 he established Sunstroke Studio Seychelles which provided him with a means to continue his design activities and his fine art work. Taking his cues from his native Seychelles landscapes, he has incorporated elements of ‘objet trouvé’ into mixed media work experimenting with metal, resin & relief work. George has had solo & group exhibitions in Seychelles, Mauritius, Martinique, Reunion, UK France, Germany and Beijing, China.

Nigol Bezjian, 56th Venice Biennale, Part of the Armenian Dispora Pavilion, Golden Lion Winner, was born in September 11,1955 in Aleppo, Syria, to Armenian parents. He immigrated first to Lebanon, before immigrating to Boston in 1974. He studied filmmaking at the School of Visual Arts in NYC and then the UCLA School of Film, Theatre and Television where he graduated with a MFA. After having worked for Future TV in Lebanon, he was involved in producing broadcast television programs throughout the Middle East. For several years he has owned a production company; Think Positive, providing production services in Lebanon, producing documentaries, consulting to TV station and producing TV shows. He is a director and writer.

Nizar Sabour, 54th Venice Biennale, Syrian Pavilion, born in Lattakia, Syria 1958, he graduated from the Department of Painting and Drawing in the Faculty of Fine Arts of the University of Damascus in 1981. He later pursued a Doctorate of Philosophy in Sciences of Art at the University of Moscow in 1990. He now teaches at the University of Damascus and is a Professor at the International Private University for Science & Technology in  Ghabagheb, Syria. His work tends to have religious undertones, focusing on the artist’s fascination with religious imagery and icons, whether Christian, Islamic or pagan. However he treats these elements in a very non-traditional manner and purposefully counterbalances any religiosity by employing colours and a technique that is more reminiscent of Dada collages than the precision of religious iconography. In 2004, he was awarded the first prize in painting at the International Art Symposium in Dubai.

Togmidshiirev Enkhbold, 56th Venice Biennale, Mongolian Pavilion, born 1978 in Uvurkhangai province he graduated from the Institute of Fine Arts, Ulaanbaatar in 2005, where he now teaches. In addition he is a member of the Blue Sun Group. Founded in 2002, the Blue Sun Group is an artists group that supports emerging artists and alternative art practices. They maintain a studio complex and a gallery space in Ulaanbaatar city centre. Raised in a nomadic family Enkhbold moved to the Mongolian capital city Ulaanbaatar in 1998 to study. Using his own scaled down, self-built version of a ger, the mobile circular living structure traditionally used by nomadic Mongolian families, Enkhbold uses performance to explore geographic and contextual shifts.

Horst Uhlemann, 54th Venice Biennale, Costa Rica Pavillion, born 1959, lives in Pottsdam, Germany. Since 1997 he is a member of the group “utopia” in italy. He likes his paintings to be understood as single pages of a book, which have their own signification and authorization. They don’t announce what he seeks, but what he has found. Through the immediate vitality of his colors and compositions, the combination of different techniques and materials the tensions become an experience.

Enter ArtVenice Biennale IV


ArtVenice Biennale 4 Entrants and Updated Juror List by Anna Salmeron

“They’re selling postcards of the hanging, they’re painting the passports brown, the beauty parlor is filled with sailors, the circus is in town.” Nobel Laureate and Close Biennnial Project Collaborator Bob Dylan

Hey there Artists, Friends, and Other Loonies - the grand circus otherwise known as ArtVenice Biennale 4is ramping up. We are getting so much fantastic art submitted, and as artists ourselves (we can take the dark out of the nighttime and paint the daytime black – just saying) we take damned seriously our responsibility to promote this work far and wide. So here is our first sampler of some of this great stuff. (For regular ArtVenice Biennale 4Entrant of the Day posts and other timely updates about Art World Goings On – visit and like The Biennial Project’s Facebook Page.) 

First up is Farid Rasulov, who represented Azerbaijan at the 53rd Venice Biennale in 2009. “His large scale paintings, installations and sculptures are fraught with apparent symbolism which the artist adamantly denies.”

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Farid Rasulov of New York, NY   http://faridrasulov.com/

Here are several other amazing artists who have submitted work to ArtVenice Biennale 4 whose work we wanted to show you:

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Marlene Siff of Westport, CT   http://www.marlenesiff.com/

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Dorothy Fitzgerald of Lyndonville, NY   http://dfitz.org/


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Yvette Kaiser Smith of Chicago, IL   http://yvettekaisersmith.com/


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Laura Krasnow of Pittsburgh, PA   http://laurakrasnow.com/


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Jan Brandt of Bloomington, IL   http://www.janbrandtartist.com/

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Madeleine Lord, of Dudley, MA  http://www.mlordsculpts.com/

Another exciting  ArtVenice Biennale 4  development is the ever expanding list of Extraordinarily Successful and Interesting International Artists who have agreed to serve as Special Guest Jurors for  ArtVenice Biennale 4. Each of these wonderful artist has achieved the recognition of having exhibited at the Venice Biennale in one of the Prestigious National Pavilions. Each of these guest jurors will pick one artist from among the entrants to ArtVenice Biennale 4to recognize as a Special Prize Winner. This list is preliminary – we have just started reaching out to artists asking them to participate and anticipate having many more artists sign on for this – but look what cool artists have already said yes at this early date!

Nigol Bezjian 56th Venice Biennale, Part of the Armenian Diaspora Pavilion, Golden Lion Winner, Venice, Italy  MORE ON NIGOL BEZJIAN

Argelia Bravo 56th Venice Biennale, Venezuelan Pavilion, Venice, Italy
MORE ON ARGELIA BRAVO  EVEN MORE ON ARGELIA BRAVO

Binelde Hyrcan 56th Venice Biennale, Angolan Pavilion, Venice, Italy
MORE ON BINELDE HYRCAN

George Camille 56th Venice Biennale, Seychelles Pavilion, Venice, Italy
MORE ON GEORGE CAMILLE EVEN MORE ON GEORGE CAMILLE

Camille Zakharia 55th Venice Biennale, Bahrain Pavilion Venice, Italy
MORE ON CAMILLE ZAKHARIA

Togmidshiirev Enkhbold  56th Venice Biennale, Mongolian Pavilion, Venice, Italy  MORE ON TOGMIDSHIIREV ENKHBOLD

Horst Uhlemann 54th Venice Biennale representing Costa Rica
MORE ON HORST UHLEMANN

Nizar Sabour  54th Venice Biennale in the Pavilion of the SYRIAN ARAB REPUBLIC  MORE ON NIZAR SABOUR

If you enter ArtVenice Biennale 4, each and every one of these artists will see your work as part of the jurying process! Enter now before the rush to increase your chances of being promoted on Facebook as an Entrant of the Say and/or included in future Entrant Samplers sent out to The Biennial Project’s  email list of more than 40,000 peeps!

Enter ArtVenice Biennale 4 Here

They say sing while you slave and we just get bored!

Boston Biennial 4 Wrap Up by Anna Salmeron

“The Boston Biennial 4 delivered an evocative and inspiring selection of art of various types of mediums and styles…..Atlantic Works Gallery was bursting with people, compassion and excitement at it’s opening for the Boston Biennial 4 and it’s no question as to why: when the people in charge are just as engaged as the artists involved, it makes for perfect harmony.”  Ali Russo, Artscope Magazine

“The Biennial Project's commitment to building connections between artists here and elsewhere is utterly refreshing. To see them and their collaborators at work is to see artists at the top of their game - working without the net of institutional support, but obviously having a hell of a good time in the process - and nurturing personal and working relationships and networks that feel downright subversive in this day and age.” Alec Onsemska, film-maker and art critic

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As you can see from the quotes above, the recently wrapped Boston Biennial 4 was both a resounding success and a rip-roaring good time. We attracted by far the most entries yet for a Boston Biennial, and the quality and diversity of the artwork submitted was staggering. The entire process leading up to the show was the most streamlined ever, what with our master collaborator and web designer Paul K. Weiner creating a sparkling new entry and jurying system for us which automated the process from start to finish. This saved us tons of time over our previous process and let us focus on the fun stuff - assembling an amazing crew of celebrity jurors, communicating with artists worldwide, pouring over the vast amount of great art submitted, and publicizing the show.

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Artists traveled from around the country to attend the many packed gala receptions, and the response to the show was thoroughly positive. Now that the show has wrapped, we're just  the littlest bit tired, but absolutely thrilled with the caliber of great art that we got to showcase, and with the amazing people that we got to meet. Now we will enjoy a good 10 minutes of rest before getting back to work.  In the meantime, here are some links to info about this fabulous show:

REVIEWS OF BOSTON BIENNIAL 4:

ARTSCOPE REVIEW ALEC ONSEMKSA'S REVIEW

AWG IN PROFILE REVIEW FARZANEH AND BAHAREH SAFARANI

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PHOTO GALLERIES FROM BOSTON BIENNIAL 4:

BOSTON BIENNIAL 4 OFFICIAL PHOTOGRAPHER PAUL WEINER'S PICS FROM THE OPENING NIGHT GALA RECEPTION

ARTISTS OF THE BOSTON BIENNIAL 4 AT THE OPENING RECEPTION

ARSTSCOPE AT THE OPENING       MORE OPENING PICS       EVEN MORE OPENING PICS      YES EVEN MORE OPENING PICS

PICS FORM THE SECOND BOSTON BIENNIAL 4 RECEPTION

PICS FROM THE BOSTON BIENNIAL 4 CLOSING RECEPTION

ADDITIONAL PICS OF BOSTON BIENNIAL 4 WORK

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ARTIST TALKS AND INTERVIEWS:

AL HARDEN and more AL HARDEN

LEIGH HALL and more LEIGH HALL

LISA REINDORF and more LISA REINDORF

MICHAEL ST GERMAIN    MITCHEL AHERN     KRISTIN MALIN

OZLEM AYSE OZGUR    DAVID LANG    SHAWNA GIBBS

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WEB GALLERIES OF ALL THE WORK:

WEB GALLERIES OF ACCEPTED WORK

WEB GALLERIES OF ACCEPTED VIDEO WORK

WEB GALLERIES OF PRIZEWINNING WORK

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Disrupting the Art World One Biennial at a Time by Anna Salmeron



Reflections on the Boston Biennial 4

by Alec X. Onsemska

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Ozgur Ozlem When Children Die They Do Not Grow”, photo by Jeff Smith

“Just as another New England spring begins to awaken us from our winter doldrums, the local art world phenomenon known as the Boston Biennial is setting up shop in town again.

A little history here first. The Boston Biennial was born a few years back as a shrewd experiment in biennial branding by the envelope-pushing local art collective The Biennial Project - a group of conceptual artists whose organizing principle involves "exploring the underlying dynamics of who gets validation from the art world apparatus and why." A meaty starting point for conceptual art work if there ever was one.  As one critic has noted about The Biennial Project's work -  "it succeeds in moving on two planes simultaneously - unmasking both the appeal and the hollowness of success in an arena often dominated by players with a financial stake in promoting their own artist and venues - and in the process delivers an exhilaratingly gonzo field trip into the internal landscape of artistic consciousness."

Being a child of The Biennial Project, the Boston Biennial has from the beginning embodied a dichotomous soul - walking a tight rope between self referential art world in-joke on the pretensions inherent in the biennial system and an embodiment of a different model for artist engagement that is profoundly more democratic and artist centered.  It's a heady concoction, with notes from Berlin to the Paris Commune in the mix, and in the hands of lesser talents, this house of mirrors might just collapse under the weight of it's multi-layered concept.

But collapse it does not, and this is a testimony to the unusually broad skill sets of the member artists. In addition to expansive abilities to riff on the comic and the ridiculous aspects inherent in their Boston Biennial construct, they also have in their arsenal a very sophisticated gaze and a vigorous engagement with the issues of the day - both within and outside the art world. And the current incarnation of their Boston Biennial is the purest dilution yet of the artistic concerns of this of this group of inspired art-world disruptors.

The Boston Biennial 4 skews  to punchy and well-executed examples of process driven and socially engaged installation and conceptual art, informed by the groups deep immersion in cutting edge international art (gleaned from their peripatetic existence traveling within the rarefied world of the top-level biennial circuit). But by demanding that work in this category be both really smart and well-executed, the group drives home the potent point that conceptual art only really works when you have a concept worth investigating, and when you do it well. Art world, are you listening?

And they make a further trenchant point about the limitations inherent in current accepted categories of circuit-worthy art by insisting on an exuberant embrace of unfettered visual pleasure wherever they may find it - gleefully welcoming into their tent a good deal of strong work in mediums and orientations currently out of vogue at the top. By recognizing a lively abundance of strong photography, painting, and drawing, none of it designed in the least to argue it's own obsolescence, The Biennial Project continues it's incisive ability to simultaneously absorb the best of current art-world trends while rising above it's follies.

They succeed in bringing together a bountiful array of successful art being made by Boston based artists - and in so present a gutsy refutation to the inferiority complex that infects our local institutions vis-a-vis art made by artists who call Boston home. Recently a curator of a major Miami museum was interviewed about the benefits of the annual Art Basel decampment in that city, and stated enthusiastically that it represented a great opportunity to provide a platform for all the great art being made by Miami-based artists. Can anyone imagine one of the curators of a major Boston art institution making a comparable statement in that circumstance? We didn't think so.

The Boston Biennial 4 also includes much gorgeous and successful work from a diverse group of artists based around the country and the world. The Biennial Project's commitment to building connections between artists here and elsewhere is utterly refreshing. To see them and their collaborators at work is to see artists at the top of their game - working without the net of institutional support, but obviously having a hell of a good time in the process - and nurturing personal and working relationships and networks that feel downright subversive in this day and age.

Here's hoping that this project continues to grow, and that eventually someone wakes up and gives these folks some actual money to work with, so that someday Boston can have a Biennial as big and bold and groundbreaking as it deserves!”

 

Boston Biennial 4 Prizewinners! by Anna Salmeron

 

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                                     work by Ozlem Ayse Ozgur

#1 Artemis Herber

#2 Ozlem Ayse Ozgur

#3 David A Lang

#4 Farzin Foroutan

#5 Shawna Gibbs

#6 C Anthony Huber

#7 Michael St Germain

#8 Andrew Fish

#9 Al Harden

#10 Dennis Miller

#11 Kristin Malin

#12 Leigh Hall

#13 Nayda Cuevas

#14 Sammy Chong

#15 Lisa Reindorf

#16 Mitchel Ahern

#17 Farzaneh and Bahareh Safarani

#18 Joan Ryan

#19 Hannah Cole

#20 Walter Kopec

SEE YOU AT THE OPENING!

Boston Biennial 4 Gala Opening Reception

The Boston Biennial 4 is here! by Anna Salmeron

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The Biennial Project is tremendously proud to host The Boston Biennial 4
“A Wicked Good Juried Exhibition of Contemporary Art”

The birth of The Boston Biennial was a turning point in opportunities to showcase cutting edge creative work in the Boston area. This highly anticipated fourth installment brings together artists from New England to New Zealand, selected from over 1100 entries from 28 states and 23 countries.

This year, as always, the jurors are nearly as exciting as the artwork, with 20 celebrity participants such as gallery founders and Biennale veterans, local politicians and cultural leaders to reality show contestants, designers, professional artists, musicians and educators.

Opening Gala reception for BB4 is Saturday April 9th 2016 from 6 to 9pm
at Atlantic Works Gallery in East Boston

Third Thursday reception: Thursday April 21 2016 from 6 to 9pm

Closing Reception Sunday April 24th from 4 to 6pm

Gallery hours: Friday-Saturday 2-6pm or by appointment
80 Border Street 
East Boston, MA 02128

CLICK HERE TO SEE THE BB4 ACCEPTED WORK

CLICK HERE TO SEE THE BB4 ACCEPTED VIDEO WORK

CLICK HERE TO SEE THE FACEBOOK INVITE TO THE BB4 OPENING RECEPTION

 

Boston Biennial 4 Accepted Artist List

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Artists with work accepted for the Boston Biennial 4:

 

 

Lilac Abramsky-Arazi

Mitchel Ahern

Elizabeth Albert

Angela Ales

Larry Alford

Simone Alter-Muri

Anne Anicet

Adria Arch

Freedom Baird

David R Banta

Lisa Barthelson

Marten Berkman

Llisa Bick

Suzanne Blaustein

Judy Blotnick

Lance Boge

Stefano Boschetti

Aaron Bourque

Willy Branckaerts

Jan Brandt

Lauren Broom

Susanne Buckler

Richard Buckley

Karen Burgess

Steven Cabral

Lance Carlson

Vlatko Ceric

Sammy Chong

Nira Chorev

Yvonne Cilia

Roger Clarke

Hannah Cole

Don Collette

Lynn Connell

Raul Cordero

Nayda Cuevas

Carla Della Beffa

Darlene DeVita

Furen Dai

Oscar Di­az

Hubert Dobler

Gary Duehr

Rina Dweck

Yorgos Efthymiadis

Jeremy Endo

Vita Eruhimovitz

Mohammad reza Fathi

Chloe Feldman Emison

Richard Ferrari

Danny Ferrell

Andrew Fish

Susan Fitzsimmons

Farzin Foroutan

Susan Funk

Faith Gabel

Sara Gallo

Nicole Gencarelli

Shawna Gibbs

Susan Gilmore

Mitch Glassman

Leigh Hall

Lindsay Hall

Ethan Hamby

Al Harden

Artemis Herber

Katie Hodgkins

Laurel Hoffer

Richard Hricko

C Anthony Huber

Hilary Hughes

Andy Johnston

Richard Jurus

Josh Kastorf

Marjorie Kaye

Judith Kindler

Milan Klic

Renato Koledic

Walter Kopec

Tara Kraft

Debra Krakow

Laura Krasnow

Jacob Kulin

Marion Lane

Corinne Lapin-Cohen

Louise Laplante

Michelle Lapointe

Jennifer Layzer

Charlie Lemay

Shifra Levyathan

Pauline Lim

Christopher Lineberry

Charlene Liska

Chiyomi Longo

Greg Lookerse

Madeleine Lord

Jean Luongo

Carter Lynch

Adamo Macri

Kristin Malin

Emily Manning-Mingle

Nancy Marks

Sooo-z Mastropietro

Martha Mccollough

Karen McFeaters

Laurel McMechan

France McNeil

Gloria Merritt

Karen Merritt

Dennis Miller

Debbie Millman

Barbara Mink

Nilou Moochhala

Azita Moradkhani

Patirico Moreno Toro

Stephanie Morissette

Rebecca Morrison

Jeannie Motherwell

Marshall Moyer

Steven Muller

Anne Murray

Erica Nazzaro

Nick Nazzaro

Lior Neiger

Petrea Noyes

Ozlem Ayse Ozgur

Allen Palmer

Tim Patterson

Zoe Perry-Wood

Bo Petran

Dave Phoenix

Alison Pilorz

Terry Plater

Maj Plemenitas

Marisa Portolese

Julia Powell

Erin Power

R. Prost

Georges Rabbath

Lisa Reindorf

Seungbo Roh

Ruth Rosner

John Ruppert

Joan Ryan

Farzaneh and Bahareh Safarani

Victor Salvo

Elaine Sapochetti

Nick Schietromo

Renate Schweizer

Vladimira Sedlakova

Rachel Shatil

Nicole Shaver

George Shaw

Emily Sheffer

Susan Siefer

Marlene Siff

Brian Smith

Caleb Smith

Stephen Spiller

Michael St.Germain

Sergey Stepanenko

Sean Stewart

Erica Stoller

Alan Strassman

Kristin Street

Lenore Tenenblatt

Vanessa R Thompson

Catherine Timotei

Monica Tiulescu

Ann Tracy

Judy Ulman

Martin Ulman

mMchael Ulman

Paul Valadez

Brenda van der Beek

Milica Vergot

Mark Webber

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Vanessa White

Andrew Wilson

Timothy Wilson

Matthew Wolcott

Leah Woods

Leigh Yardley

Marc Zajack

Annie Zeybekoglu

Ilhan Zeybekoglu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Boston Biennial 4 Juror List by Anna Salmeron

The Boston Biennial 4 is extraordinarily proud to have the following 20 – yes TWENTY – prominent members of Boston’s art and cultural community as celebrity guest jurors. Each of our jurors will look at all the accepted work and pick one piece to be shown as a prize-winner. Entering the BB4 is a fantastic way to get your work seen by some of Boston’s art world movers and shakers!

Undated:  The Official Rings Logo of the Olympic Games for editorial use only.  International Olympic Committee via Getty Images.

María Magdalena Campos-Pons  is a Cuban-born artist based in Boston. She works primarily in photography, performance, audiovisual media, and sculpture, and is considered a key figure among Cuban artists who found their voice in a post-revolutionary Cuba. Her art has been shown in scores of solo and group exhibitions, including at the Museum of Modern Art in New York City; the Venice Biennale; the Johannesburg Biennial; the First Liverpool Biennial; the Dakar Biennale in Senegal; and the Guangzhou Triennial in China. Her work is in the collections of the Smithsonian Institution, the Art Institute of Chicago, the National Gallery of Canada, the Victoria and Albert Museum, the Museum of Modern Art, The Museum of Fine Arts, the Miami Art Museum and the Fogg Art Museum. She currently teaches at the School of the Museum of Fine Arts, Boston.

Marjorie Kaye is an artist and curator as well as and the founder and director of Galatea Gallery in the Boston’s south end. She received a BA in fine arts from Syracuse University, and has exhibited regionally and nationally, receiving much positive press in the process. She is a tireless advocate for the art and artists of Boston.

Henry Horenstein is a professional photographer and teacher. He earned his MFA at Rhode Island School of Design (RISD), where he is now professor of photography. His work is collected and exhibited internationally, and he has published over 30 books. He has also published several monographs of his work, including Show, Honky Tonk, Animalia, Humans, Racing Days, Close Relations.

David Hilliard is a well-known photographer. He received his BFA from the Massachusetts College of Art, and his MFA from Yale. His work is in so many important collections that we don’t even know where to start in listing them. He has published and taught widely, including at Yale and Harvard, and is currently a Visiting Professor at Lesley University College of Art and Design. He is a past recipient of a Guggenheim Foundation Fellowship.

Kelly Dempsey is a recent contestant on season 14 Project Runway, invited as a designer to show at the 13th Annual New York Chocolate Fashion Show in New York. She is a Fashion Designer/Hip Hop/Avocados/Optimist. We LOVE her work, and she should have won this season.

O’mega Red is a Boston native and nephew of Donna Summers. He is CEO and record producer of The Stay Grindin Music Group, as well as asuccessful rapper and actor.

Nadeem Mazen is an educator, entrepreneur, community organizer, and is a City Councilor in Cambridge, MA. He is CEO of Nimblebot, a creative agency, as well as co-owner of danger!awesome, a makerspace that brings creative expression and tools to the masses.. He has taught at The School of the Museum of Fine Arts in Boston. He has recently been in the news as  leader in the movement to oppose Donald Trumps proposed policies re Americans of the Moslem faith.

Sonjia Williams was a runner up on Project Runway All Stars Season 4, and came in 5th on Project Runway Season 10. A Boston native, Sonjia studied design at Lasell College in Newton, Massachusetts and after gradation relocated to New York where she began working as an independent fashion designer. Thereafter, she won a spot on the 10th Season of Project. She also kicked ass on Project Runway All Stars 4 where she finished the season by debuting a line shown at Mercedes Benz Fashion Week to rave reviews.

Sarah Hutt is a mixed media sculptor whose work focuses on memory, dreams and the ever-changing reality they create. As a long-time resident of Boston’s South End, she was a key player in establishing the first successful mixed-use artist live/work space utilizing a surplus city-owned building in 1990, and has consulted on other similar projects around the country. Sarah is an art consultant for The New England Foundation and was previously the director of the Boston Art Commission and managed Boston's public art collection.

Samual Donovan came in Second Place on Lifetime TV’s Under the Gunn. Sam is a Newton, MA native who is a model-cute Parsons grad has fashion wisdom well beyond his years, and enough sass to fill a workroom.

Stephen Tourlentes received his BFA from Knox College and an MFA from the Massachusetts College of Art in Boston, where he is currently a visiting professor of photography. His work is included in many collections including the Princeton University Art Museum, The Metropolitan Museum of Art, The Art Institute of Chicago and has been exhibited at the Revolution Gallery, Michigan; Cranbook Art Museum, Michigan; and S.F. Camerawork, among others. He has received a John Simon Guggenheim Foundation Fellowship, a Polaroid Corporation Grant, Massachusetts Cultural Council Grants, MacDowell Colony Fellowships and was a Finalist for the ICA Boston’s Foster Prize for 2010.

Emily O’Neil is executive Director at Fort Point Arts Community. She is addicted to her iphone camera and would like to go back to Paris and see The Louvre. That’s where “I was when I first realized I truly loved art. I was 14 and came across a painting called The Entombment of Atlala by a Pre-Romantic painter named Anne-Louse Giroder de Roucy-Trioson, and I was heartbroken, mesmerized and hooked”.

Erin Becker is the Norma Jean Calderwood Director of the Cambridge Art Association. Erin serves on the Board of Directors of the Harvard Square Business Association; the Advisory Board for Cambridge Open Studios; and is a co-founder of the Art Centers Alliance, a group of roughly 25 community arts leaders. She is also a past reviewer for the Cambridge Arts Council’s LLC Grant Program, and past Gala Committee Member at the Guidance Center. Erin holds a BA in Art History from Boston University, and a Certificate from Boston University’s Institute for Nonprofit Management Leadership Core Program at Questrom Business School.

David Day has been active for over 20 years in the music industry, wearing many different hats: label manager, editor, music journalist, retailer - you name it. Most recently he founded the Together Festival, Boston’s springtime celebration of Music, Art and Technology (now in year 5) and remains the festival’s Creative Director. Two years ago, he co-founded the Mmmmaven Project, an educational initiative in Central Square, Cambridge, where he serves as Director, managing marketing, social media and human resources. He has been the editor of The Weekly Dig in Boston.

Helena Fruscio is Deputy Assistant Secretary of Innovation, Entrepreneurship and Technology Commonwealth of Massachusetts. She has been The Creative Economy Industry Director at State of Massachusetts. Helene is the Chair of the Berkshire Chamber of Commerce’s Fine and Performing Arts Award, she sits on Berkshire Navigation-Berkshire Data Collection Steering committee, Berkshire Blueprint Steering Committee, and is an active steering committee member of the Berkshire Young Professionals. She received a Bachelor of Fine Arts degree from the Rochester Institute of Technology (RIT) School of Imaging Arts and Sciences in Ceramic Sculpture, with a concentration in Anthropology/Sociology. She also studied at Studied at Harvard Kennedy School of Government.

Matthew Wilson  is MASSCreative’s first Executive Director, directing advocacy campaigns and organizational development for the organization. As the National Director of the field staff for MoveOn.org from 2005-2006, he helped develop and implement the strategy behind MoveOn.org’s successful 2006 Call for Change, which recruited and trained more than 100,000 volunteers in 60 swing Congressional and Senate districts. As the Founder and Director of Toxics Action Center from 1989 to 2005, Wilson assisted more than 300 neighborhood groups address toxic pollution issues in their communities. He graduated from Dartmouth College in 1983 and also earned a Masters of Public Administration at the Harvard Kennedy School of Government in 2008.

Kaveh Mojtabai is the founder and publisher of Artscope magazine, a media company currently in it’s 11th year that is dedicated to reviewing art exhibits, covering cultural events, connecting artists with their audience and creating access to the arts. Kaveh manages a team of editors, writers, graphic designers, web developers, technology experts and advertising account executives to publish Artscope in its print, email, online, social media, mobile app and iPad tablet edition formats to the industry and the public. Plus, Artscope contributes to news columns at worldwide media outlets such as CNN and participates and exhibits in shows such as Art Basel Switzerland and Art Basel Miami Beach.

In addition to his work in the media industry, Kaveh has worked on projects like co-curating the “A Politic” exhibit that showcased the worldwide acclaimed AbrahamObama billboard. He has recently juried at the Copley Society, Galatea Fine Arts in Boston, Andover Artist Guild’s Art in the Park, the Milton Art Museum, Sharon Arts Center, the Newburyport Art Association Annual Juried Exhibition, Milton Arts Center and a number of gallery exhibitions. Kaveh has appeared on the Arts League of Rhode Island annual conference panel as well as various “Money Matters” and entrepreneurial business radio networks where he explained how Artscope’s media platforms support connections between artists, collectors and the public.

Previously, Kaveh worked internationally with Fortune 500 clients at a “Big Four” global consulting firm to develop client performance through strategic, operational and financial processes. He has graduated with two degrees, a B.A. in Astrophysics and B.S.B.A in Business Administration. His previous work included astronomy research at the Harvard Smithsonian Center for Astrophysics under the direction of a Nobel Astrophysics Prize winner. Kaveh currently lives in Quincy, Massachusetts, enjoys running, playing recreational soccer games and flying planes. He loves his mom and is a momma’s boy.

Jean-Paul St Germain is an extremely successful entrepreneur, investor, and collector. Raised in Massachusetts, he received his undergraduate degree from Boston College and his Master’s from Columbia. Feeding a life long interest in art and the artistic process, he has amassed a substantial collection of contemporary art. He currently lives in Connecticut.

Adrian Madaro is the State Representative representing East Boston. A proud first-generation American, he is an avid art-lover, and enthusiastic and generous supporter of the East Boston Art's community.

Diane Modica is an artist and attorney, ex-Boston City Councilor (she chaired the committee on arts and humanities while on the City Council), two-time president of the East Boston Chamber of Commerce, 2013 East Boston Woman of the Year, and one of the lead organizers for East Boston Open Studios.

ENTER THE BOSTON BIENNIAL 4

Boston Biennial IV sees its shadow and extends its deadline by 2 weeks to February 15, 2016 by Anna Salmeron

That’s right!! You still get two more weeks to come out of hibernation and
enter Boston Biennial IV. In the tradition of Groundhog’s day, we looked at
our shadows and we have extended the deadline to February 15!!
The Biennial Project, the collaborative bringing you Boston Biennial IV,
loves a holiday!! One of our very favorites is Groundhog’s Day. Here in the
USA we have a tradition called Groundhog Day celebrated each year on February
2. According to folklore, if it is cloudy when a groundhog emerges from its
burrow on this day, then spring will come early; if it is sunny, the
groundhog will see its shadow and retreat back into its burrow, and the
winter weather will persist for six more weeks.
Well, we decided to beat that whistelpig or woodchuck to the punch and look
at our own shadow on this sunny Boston winter day. Instead of extending
winter for 6 weeks we are simply extending the deadline of Boston
Biennial IV
for 2 weeks and a day.

groundhogUndated:  The Official Rings Logo of the Olympic Games for editorial use only.  International Olympic Committee via Getty Images.
The new deadline is now FEBRUARY 15, 2016 to enter BOSTON BIENNIAL IV.
If you enter today you might be featured in our entrant of the day email
blast and Facebook postings.


So appreciate the sunshine in winter and wake up after a long deep slumber -
Enter BOSTON BIENNIAL IV!! Don’t let winter get the better of you!!


For more information about Boston Biennial IV and how to enter click and
submit your work simply go to
http://the-biennial-project.com/BB2016_Intro.aspx

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Why The Biennial Project and the Groundhog?
-Well we are both cute.
-Also did you know that the Groundhog, otherwise known by its scientific name
of Marmota monax eats 1/3 of its weight each day in vegetation. That
would make The Biennial Project’s Dr’s happy.
-Although groundhogs are considered herbivores, they sometimes eat insects. 
They like apples, peas, dandelions and bark. The Biennial Project likes peas a
lot and have been known to eat bark.
-Groundhogs are diurnal (active during the day) from spring to fall. Most
activity occurs during the early morning and early evening hours, at which time groundhogs emerge from their burrows to gather food. The Biennial Project
gathers food, lots and lots of food gathering.
-Groundhogs are true hibernators, entering a deep sleep in October and
emerging in early spring. The Biennial Project attempts to do this every
winter.
-During hibernation, a groundhog's temperature drops from 99° F to 40° F, and
its heartbeat slows from 80 beats per minute to 5. During this time,
groundhogs survive on the fat reserves that they accumulate from their hefty
summer and fall diets. Well, The Biennial Project certainly has the fat
reserves.
-Mating season begins in early spring, once groundhogs emerge from
hibernation. Mothers give birth to 2-4 kits, and these baby woodchucks
remain with the mother for 2 months before becoming independent. The
Biennial Project
might not give birth but we attempt to mate and we have
dogs.
-Groundhogs, with their long, sharp claws, dig complex
multi-chamber burrows that they use for hoarding food, nesting and
hibernating. The Biennial Project likes building forts also.
-Groundhogs are mostly solitary animals, only seeking out other groundhogs to
mate. However as a species, they work to protect each other. For example,
they communicate with one another using high-pitched shrills to warn each
other of approaching threats. High pitched shills, well we got that covered.
We also got your back!!

So remember to enter Boston Biennial IV!!!

http://the-biennial-project.com/BB2016_Intro.aspx

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