Art Venice Biennale 3 Reception by Anna Salmeron

"

11336982_959420417421903_4191790022198660942_o12052408_1033512316679379_392024721865234293_o

Its been half-a-year since the Opening Champagne Reception for ArtVenice Biennale 3. We, The Biennial Project only just realized that we haven’t told you, our loyal supporters, about our time in Venice. Well, in case you were wondering, ArtVenice Biennale 3 was an astonishing success! The location on VIA GARIBALDI was better then imagined. Every big gun in the art world meandered up and down this street looking for dinner and then found us or maybe they were looking for us and then found dinner. The art work being exhibited digitally drew the best glitterati into our gallery.  The attendees got the must have Biennial Project bag, a free glass(or two, or three, or four…) of prosecco  and then stayed to admire all the art that was on view. We met hundreds of art loving hoi polloi from all over the world, ideas were exchanges, connections were made and maybe one or two people found romance. An immense triumph!!

AVB#reception--3AVB#reception--5AVB#reception--17

The evening started off with The Live Art Performance by The Biennial Project’s ArtVenice Biennale 3 Artist in Residence, Tom Estes called ‘'Parallax: Other Realms’. We were thrilled, with the help of the entrants on AVB3, to give this artist from London an opportunity and a venue to express his creativity. The performance coincided with Estes' time at the newly founded The Biennial Project Residency Project at the V70 building in Venice.

Tom Estes' Performance

Yvonne Amolo gave an enthralling and capitvating talk, presented a video and even yodeled for us.  Yvonne Amolo, the only actual ethnic Kenyan in this Kenyan pavilion  has won awards for her film about racism. Being the only ethnic Kenyan representing Kenya in this year’s Biennale was the hottest topic of conversation during the Opening week of The 56th Venice Biennale. This very issue that sparked the debate on the socio economic and nationalistic issues involved in the process of putting together an evenly and fairly represented global art exhibit.Yvonne was kind enough to take a lot of questions from our attendees regarding this hot button issue.

We also had a stimulating and spurring performance from Leslie Rogers:

Leslie Rogers performs Wesley Wogers:Camera Cop

AVB#reception--7AVB#reception--19AVB#reception--16

Though, clearly, the highlight of the show was seeing all our entrant's images shown in a digital display that ran for the entire reception. Many of the ArtVenice Biennale 3 chosen artists came to Venice to attend the gala and many of them spoke about their work. Some of these included Artemis Herber, Finishing School, James Lipovac, Justin Augspurg, Katherine Sweetman, Lauren Gidwitz, Markus Blaus, Matthew Keller, Rebecca Potter,Victor Salvo, Walter Kopec and Zebbler Peter Berdovsky and a few others.

12038992_1033512673346010_2012659362201736218_oAVB#reception--4AVB#reception--912091196_1033512866679324_71605227876322751_o

To see the digital display presented at ArtVenice Biennale 3 watch the link below:

 

Boston Biennial 3 Selected Artwork

 

"

Boston Biennial 4 Entrant Sampler by Anna Salmeron

We are beyond thrilled with the quality of the worked being submitted for the upcoming Boston Biennial 4, and consider ourselves extremely lucky to be able to get to know and promote the work of so many amazing artists. So we offer up to you a sampling of some of this extraordinary art. Check out the work, and click the links to the artists’ websites to see more. And get your own entry in soon – the early entry rate is only good till the end of December.

Jeannie Motherwell - born and raised in New York City, Jeannie Motherwell inherited a love of painting form her father Robert Motherwell and stepmother Helen Frankenthaler. See more or her work here: http://jeanniemotherwell.com/

Motherwell_Jeannie_2_33_1___FullMonty

 

ENTER THE BOSTON BIENNIAL

Oscar Diaz - a genderfluid Salvadoran artist, curator, art historian, and writer living in the Boston area. See more of his work at: http://cargocollective.com/OscarDiaz  Read a great interview with Oscar here: Oscar Diaz Interview

Díaz_Oscar_4_57_1___De Para

 

ENTER THE BOSTON BIENNIAL

 

Vanessa White of Melbourne, Australia. See more of Vanessa's captivating work here: http://vanessawhite.me/artworks/

White_Vanessa_2_83_1___Plasticus_01

 

ENTER THE BOSTON BIENNIAL

 

Pauline Lim of Somerville, MA. "I am always freaking out about the fact that we all have to die, so a lot of my paintings have to do with the frustration of being trapped in a mortal existence." See more of her work at: http://www.paulinelim.net/

Lim_Pauline_4_47_1___ICanOutrunDeathBBLim_Pauline_5_47_1___NothingToBeDoneFireBB

 

ENTER THE BOSTON BIENNIAL

 

Petrea Noyes of Maine, with her beautiful collages!!!!!!! See more of her work here:
http://petreanoyes.com


noyes_petrea_2_105_1___tete a tetenoyes_petrea_3_105_1___voices

 

ENTER THE BOSTON BIENNIAL

Materials junkie Kristen Street from Rhode Island and her gorgeous creations! See more of her work here: http://www.kristinstreet.com

street_kristin_3_114_1___KStreet_WireWorks_Tantra 2

 

ENTER THE BOSTON BIENNIAL

 

Timothy Wilson from Somerville, obscuring the boundaries between painting and photography. See more here: http://www.timothywilsonphotographs.com

Wilson_Timothy_2_96_1___1_Butt Wilson_Timothy_4_96_1___4_El Forno

 

ENTER THE BOSTON BIENNIAL

 

The continuing adventures of Trespassing Photographer Dave Phoenix of Stow, MA. See more of his work here: http://www.phoenixcreativeimagery.com/

Phoenix_Dave_2_122_1___Grazing

 

ENTER THE BOSTON BIENNIAL

the AMAZING art collective sisterwerx.....hailing from our own Quincy, MA.

werx_sister_1_21_1___SWX3_KuriJulien

 

ENTER THE BOSTON BIENNIAL

 

Anne Murray, a world-traveler accomplished artist and video poet. See more of Anne’s work here: http://www.annemurrayartist.com

Murray_Anne_2_113_1___whalebone 1Murray_Anne_3_113_1___Murray Kunningi photo still small

 

ENTER THE BOSTON BIENNIAL

XXOO,

The Biennial Project

Enter The Boston Biennial 4

Boston is simply the best town ever.

LA can have the Olympics, we have something totally way cooler than that - the Boston Biennial!

bb41

And as trend-makers and others in the know are well aware, 2016 will usher in the 4th and most ambitious incarnation of this beloved local institution.

Steeped in the tradition of our charming seaside village, the BB4 will build on solid foundations of bank robbery and creative cussing to bring the world a Biennial that only Boston could produce.

And we can't do it without you. Because you're an artist aren't you? Well, then, what are you waiting for, a frigging written invitation?

Submit your work here, and add your vision to the colossus that will be the BB4. If your work is selected by the jurors for inclusion in the BB4, it will be displayed on a digital projection for the entire month of April 2016 at the BB4's primary venue, Altantic Works Gallery, a member-run collective and artist community that is far too sexy for Milan, New York, and Japan.

And if your work is one of the multitude of prize winners, you will invited to display your winning piece in the gallery in it's fleshy 3D entirety as well. There will be (at least) two gala champagne receptions during the course of the Biennial - which all included artists will be invited too.

CLICK HERE TO ENTER THE BOSTON BIENNIAL 4

We know (from hard experience) that artists just love to wait until the last possible moment to respond to calls for entry. But there are great reasons to break from this time-honored tradition and enter the BB4 early.

For one thing, if your entry is completed by 12/31/16, you will benefit form the Early Bird Special Entry Fee of $30 for 3 entries, and $5 for each additional entry! After 12/31/15 the entry price will go up by $5.

Even more important, you will have a much better chance of having your work promoted as part of the publicity for the BB4. We feature an entry of the day every day during the entire entry period - sending a chosen image out on FB to several thousand people - and linking to the entrant's website or facebook page. Additionally, we send out Entry Sampler Email Blasts several times during the lead up to the contest, highlighting some of the most interesting work that we have received.

Near the end of the entry period we are swamped with the number of replies, whereas at the beginning is much slower - greatly increasing your chances of being included in one of these publicity vehicles. Not to mention that your image could be selected to appear on a postcard or a poster for BB4!

CLICK HERE TO ENTER THE BOSTON BIENNIAL 4

Read the full Boston Biennial 4 Prospectus including juror info here:

The Biennial Project is proud and excited to announce an open call to artists worldwide for Boston Biennial 4 - an online juried competition and digital presentation being held at Atlantic Works Gallery in tony East Boston this spring!!

Submit your work, and add your vision to the colossus that will be the Boston Biennial 4.

If your work is selected it will be shown on The Biennial Project website and in a blog posting reaching 40,000 (yes, really) very important people of influence in the art world. You know - The Big Wigs.

If your work is selected by the jurors for inclusion in the BB4, it will also be displayed on a digital projection for the entire month of April 2016 at the BB4's primary venue, Atlantic Works Gallery, a member-run collective and artist community that is far too sexy for Berlin, New York, and Abu Dhabi.

And if your work is one of the 20 prize winners chosen by 20 Special Prize Jurors*, you will invited to display your winning piece in the gallery in it's fleshy 3D entirety as well. There will be 2 (at least) gala receptions during the course of Boston Biennial 4 - which all included artists will be invited to of course.

Additionally, we send out Entry Sampler Email Blasts several times during the lead up to the contest, highlighting some of the most interesting work that we have received. We also highlight entries a few times a week on our social media sites. So many chances to have your work seen by others!

For more information about Boston Biennial 4 and how to enter click and submit your work simply go to

http://the-biennial-project.com/BB2016_Intro.aspx

The BB4 Opening reception is being held at Atlantic Works Gallery on Saturday April 9th 2016 from 7 to 9 pm.

A Third Thursday reception will be held at Atlantic Works Gallery Thursday April 21st. This is a great opportunity to bring all your friends who couldn’t make the first reception.

SELECTION PROCESS: Work will be selected from your digital images of your artwork. Jurying will involve viewing the entries individually and making determinations on the basis on the work.

JURORS: All work will be juried by the internationally known art collective The Biennial Project with Special Prizes picked by our celebrity Special Guest Jurors.

Our special guest jurors so far include:

María Magdalena Campos-Pons is a Cuban-born artist based in Boston. She works primarily in photography, performance, audiovisual media, and sculpture, and is considered a key figure among Cuban artists who found their voice in a post-revolutionary Cuba. Her art has been shown in scores of solo and group exhibitions, including at the Museum of Modern Art in New York City; the Venice Biennale; the Johannesburg Biennial; the First Liverpool Biennial; the Dakar Biennale in Senegal; and the Guangzhou Triennial in China. Her work is in the collections of the Smithsonian Institution, the Art Institute of Chicago, the National Gallery of Canada, the Victoria and Albert Museum, the Museum of Modern Art, The Museum of Fine Arts, the Miami Art Museum and the Fogg Art Museum. She currently teaches at the School of the Museum of Fine Arts, Boston.

Marjorie Kaye is an artist and curator as well as and the founder and director of Galatea Gallery in the Boston’s south end. She received a BA in fine arts from Syracuse University, and has exhibited regionally and nationally, receiving much positive press in the process. She is a tireless advocate for the art and artists of Boston.

Henry Horenstein is a professional photographer and teacher. He earned his MFA at Rhode Island School of Design (RISD), where he is now professor of photography. His work is collected and exhibited internationally, and he has published over 30 books, including Black & White Photography: A Basic Manual, and Digital Photography: A Basic Manual, used by hundreds of thousands of students as their introduction to photography. He has also published several monographs of his own work, including Show, Honky Tonk, Animalia, Humans, Racing Days, Close Relations.

David Hilliard is a well-known photographer. He received his BFA from the Massachusetts College of Art, and his MFA from Yale. His work is in so many important collections that we don’t even know where to start in listing them. He has published and taught widely, including at Yale and Harvard, and is currently a Visiting Professor at Lesley University College of Art and Design. He is a past recipient of a Guggenheim Foundation Fellowship.

Kelly Dempsey is a current contestant on season 14 Project Runway, invited as a designer to show at the 13th Annual New York Chocolate Fashion Show in New York. She is a Fashion Designer/Hip Hop/Avocados/Optimist.

O’mega Red is a Boston native and nephew of Donna Summers. He is CEO and record producer of The Stay Grindin Music Group, a rapper and an actor.

Nadeem Mazen is an educator, entrepreneur, community organizer, and is a City Councilor in Cambridge, MA. He is CEO of Nimblebot, a creative agency, as well as co-owner of danger!awesome, a makerspace that brings creative expression and tools to the masses. He first arrived in Cambridge to study Engineering at MIT. He has taught at The School of the Museum of Fine Arts in Boston and was also the head coach of the MIT Squash Team.

Sonjia Williams was a runner up on Project Runway All Stars Season 4, came in 5th on Project Runway Season 10. A Boston native, Sonjia studied design at Lasell College in Newton, Massachusetts and after gradation relocated to New York where she began working as an independent fashion designer. Thereafter, she won a spot on the 10th Season of Project. She also kicked ass on Project Runway All Stars 4 where she finished the season by debuting a line shown at Mercedes Benz Fashion Week to rave reviews.

Sarah Hutt is a mixed media sculptor whose work focuses on memory, dreams and the ever-changing reality they create. As a long-time resident of Boston’s South End, she was a key player in establishing the first successful mixed-use artist live/work space utilizing a surplus city-owned building in 1990, and has consulted on other similar projects around the country. Sarah is an art consultant for The New England Foundation and was previously the director of the Boston Art Commission and managed Boston's public art collection.

Samual Donovan came in Second Place on Lifetime TV’s Under the Gunn. Sam is a Newton, MA native who is a model-cute Parsons grad has fashion wisdom well beyond his years, and enough sass to fill a workroom.

Stephen Tourlentes received his BFA from Knox College and an MFA from the Massachusetts College of Art in Boston, where he is currently a visiting professor of photography. His work is included in many collections including the Princeton University Art Museum, The Metropolitan Museum of Art, The Art Institute of Chicago and has been exhibited at the Revolution Gallery, Michigan; Cranbook Art Museum, Michigan; and S.F. Camerawork, among others. Tourlentes has received a John Simon Guggenheim Foundation Fellowship, a Polaroid Corporation Grant, Massachusetts Cultural Council Grants, MacDowell Colony Fellowships and was a Finalist for the ICA Boston’s Foster Prize for 2010.

Emily O’Neil is executive Director at Fort Point Arts Community. She is addicted to her iphone camera and would like to go back to Paris and see The Louvre. That’s where “I was when I first realized I truly loved art. I was 14 and across a painting called The Entombment of Atlala by a Pre-Romantic painter Anne-Louse Giroder de Roucy-Trioson, and I was heartbroken, mesmerized and hooked”.

Erin Becker is the Norma Jean Calderwood Director of the Cambridge Art Association. Erin serves on the Board of Directors of the Harvard Square Business Association; the Advisory Board for Cambridge Open Studios; and is a co-founder of the Art Centers Alliance, a group of roughly 25 community arts leaders. She is also a past reviewer for the Cambridge Arts Council’s LLC Grant Program, and past Gala Committee Member at the Guidance Center. Erin holds a BA in Art History from Boston University, and a Certificate from Boston University’s Institute for Nonprofit Management Leadership Core Program at Questrom Business School.

David Day has been active for over 20 years in the music industry, wearing many different hats: label manager, editor, music journalist, retailer - you name it. Most recently he founded the Together Festival, Boston’s springtime celebration of Music, Art and Technology (now in year 5) and remains the festival’s Creative Director. Two years ago, he co-founded the Mmmmaven Project, an educational initiative in Central Square, Cambridge, where he serves as Director, managing marketing, social media and human resources. He has been the editor of The Weekly Dig Newpaper in Boston.

Helena Fruscio is Deputy Assistant Secretary of Innovation, Entrepreneurship and Technology Commonwealth of Massachusetts. She has been The Creative Economy Industry Director at State of Massachusetts. Helene is the Chair of the Berkshire Chamber of Commerce’s Fine and Performing Arts Award, she sits on Berkshire Navigation-Berkshire Data Collection Steering committee, Berkshire Blueprint Steering Committee, and is an active steering committee member of the Berkshire Young Professionals. She received a Bachelor of Fine Arts degree from the Rochester Institute of Technology (RIT) School of Imaging Arts and Sciences in Ceramic Sculpture, with a concentration in Anthropology/Sociology. She also studied at Studied at Harvard Kennedy School of Government.

Matthew Wilson is MASSCreative’s first Executive Director, Matt directs advocacy campaigns and organizational development for the organization. As the National Director of the field staff for MoveOn.org from 2005-2006, Matt helped develop and implement the strategy behind MoveOn.org’s successful 2006 Call for Change, which recruited and trained more than 100,000 volunteers in 60 swing Congressional and Senate districts. As the Founder and Director of Toxics Action Center from 1989 to 2005, Wilson assisted more than 300 neighborhood groups address toxic pollution issues in their communities. Wilson graduated from Dartmouth College in 1983 and also earned a Masters of Public Administration at the Harvard Kennedy School of Government in 2008.

Kaveh Mojtabai is the founder and publisher of Artscope Magazine. He has appeared on various “Money Matters” and entrepreneurial business radio networks where he explained how Artscope’s business model supports connections between artists, collectors and the public.  His previous work included astronomy research at the Harvard Smithsonian Center for Astrophysics. He lives in Quincy, Massachusetts, enjoys running and flying planes. He loves his mom and is a momma’s boy.

Jean-Paul St Germain is an extremely successful entrepreneur, investor, and collector. Raised in Massachusetts, he received his undergraduate degree from Boston College and his Master’s from Columbia. Feeding a life long interest in art and the artistic process, he has amassed a substantial collection of contemporary art. He currently lives in Connecticut.

Eligibility

Open to all artists. Open to all media, including 2-D, 3-D, sculpture, photography, performance, video, installation mixed media, and art from a kit

Entry Requirements

Jpegs must be < 4MB. Videos entries must supply a link to a YouTube or Vimeo video. If a video is submitted, a jpeg that is representative of the content is not required but will be helpful in getting people to click on the online gallery link if the video is selected as one of our winners. The video link must not require any authorization to view.

Prize-winning work selected by our Celebrity Guest Jurors must be delivered to the Atlantic Works Gallery in East Boston by the artist or an authorized representative of the artist. No mailing of prize-winning work will be possible. Artists will also be responsible for picking their work up from the gallery after the show. We do not have any capacity to store art work after the show. Any work not picked on the scheduled pick up day will be subject to a $10/day storage fee. Any work not picked up in 30 days will become the property of The Biennial Project.

Reproduction of Art Work

The Biennial Project reserves the right to reproduce submitted works for Biennial Project printed materials, advertisements, electronic media, internet, television, catalog, DVD, magazine, gallery shows and enjoyment in our own homes. Copyright and other rights remain that of the artist.

Entry Fee and Payment:  The Early Bird entry fee for The 4th Boston Biennial 2016 is $30 for 3 entries, and $5 for each additional entry! After 12/31/15 the entry price will go up to $35 for 3 entries with $5.00 for each additional entry. Payment is by Paypal:

APPLICATION DEADLINE: All application materials must be submitted by 12pm EST Feb 1, 2016.
JURORS:  All work will be juried by the internationally known art collective The Biennial Project.


OTHER CONDITIONS:
Incomplete or unpaid entries or will not be considered. Images of accepted work may be retained and used for publicity purposes. Entries will not be returned. The entry fee is non-refundable. All entrants will be added to our mailing list.
Acceptance Notification:  The names of all accepted artists can be obtained on the The Biennial Project Home Page (www.the-biennial-project.com ) by March 10th.  Artists will not receive individual notification of acceptance.

Calendar

Feb 1st midnight Deadline for entry

March 10th Notification of acceptance on our blog

April 9th 7pm -9pm BB4 Opening Reception

April 21st 6-9pm BB4 2nd Reception

Contact Information

The Biennial Project

80 Border Street

East Boston, MA 02128

www.the-biennial-project.com

info@the-biennial-project.com

Mission Statement

The Biennial Project is an artists’ collaborative whose goal is to explore the nature and understand the perception of biennials within the art world and, in so doing, to develop a collective body of work that will be exhibited in as many biennials as possible – especially the really cool ones.

ArtVenice Biennale III Opening Gala by Anna Salmeron

11336982_959420417421903_4191790022198660942_o12052408_1033512316679379_392024721865234293_o

Its been half-a-year since the Opening Champagne Reception for ArtVenice Biennale 3. We, The Biennial Project only just realized that we haven’t told you, our loyal supporters, about our time in Venice. Well, in case you were wondering, ArtVenice Biennale 3 was an astonishing success! The location on VIA GARIBALDI was better then imagined. Every big gun in the art world meandered up and down this street looking for dinner and then found us or maybe they were looking for us and then found dinner. The art work being exhibited digitally drew the best glitterati into our gallery.  The attendees got the must have Biennial Project bag, a free glass(or two, or three, or four…) of prosecco  and then stayed to admire all the art that was on view. We met hundreds of art loving hoi polloi from all over the world, ideas were exchanges, connections were made and maybe one or two people found romance. An immense triumph!!

AVB#reception--3AVB#reception--5AVB#reception--17

The evening started off with The Live Art Performance by The Biennial Project’s ArtVenice Biennale 3 Artist in Residence, Tom Estes called ‘'Parallax: Other Realms’. We were thrilled, with the help of the entrants on AVB3, to give this artist from London an opportunity and a venue to express his creativity. The performance coincided with Estes' time at the newly founded The Biennial Project Residency Project at the V70 building in Venice.

Yvonne Amolo gave an enthralling and capitvating talk, presented a video and even yodeled for us.  Yvonne Amolo, the only actual ethnic Kenyan in this Kenyan pavilion  has won awards for her film about racism. Being the only ethnic Kenyan representing Kenya in this year’s Biennale was the hottest topic of conversation during the Opening week of The 56th Venice Biennale. This very issue that sparked the debate on the socio economic and nationalistic issues involved in the process of putting together an evenly and fairly represented global art exhibit.Yvonne was kind enough to take a lot of questions from our attendees regarding this hot button issue.

We also had a stimulating and spurring performance from Leslie Rogers brought to life 'Wesley Wodgers: Camera Cop'

Leslie Rogers performs 'Wesley Wodgers: Camera Cop':

https://youtu.be/w0KA3_0SEbQ

AVB#reception--7AVB#reception--19AVB#reception--16

Though, clearly, the highlight of the show was seeing all our entrant's images shown in a digital display that ran for the entire reception. Many of the ArtVenice Biennale 3chosen artists came to Venice to attend the gala and many of them spoke about their work. Some of these included Artemis Herber, Finishing School, James Lipovac, Justin Augspurg, Katherine Sweetman, Lauren Gidwitz, Markus Blaus, Matthew Keller, Rebecca Potter,Victor Salvo, Walter Kopec and Zebbler Peter Berdovsky and a few others.

12038992_1033512673346010_2012659362201736218_oAVB#reception--4AVB#reception--912091196_1033512866679324_71605227876322751_o

Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.

ArtVenice Biennale 3 Winners Announced

"

 

300 ans d'errance by Christine Comeau

The ArtVenice Biennale 3 attracted an extraordinary amount of exceptionally strong art from artists from every corner of the world.

Feast your eyes on all the superlative work included in the show:

ArtVenice Biennale 3 Selected Artists

Jurying such strong work was extremely satisfying but difficult. Even more challenging was picking the winners from so much excellent work. We say all of these artists deserve prizes!

Fortunately we had the support of our illustrious group of international jurors – one chosen from each of the continents – to help us with this.

Each of these successful artists poured over all the accepted art and spent a lot of time picking their winners. As artists themselves, they took this process very seriously, and we are proud to announce their decisions:

Sui Jianguo (Asia), internationally acclaimed Chinese sculptor, represented by Pace Gallery.  pacegallery.com/artists/459/sui-jianguo

“I have reviewed all the works in the collection several times. My second choice goes to artist Szilvia Gyorgy.

My final pick goes to Hubert Dobler.  I mostly appreciate his work for combining the elements of body, space, video and other objects, with an underlying imagination, to express unique and regional characteristics, with cultural spirit, romantic yet concrete."

Marlene Sarroff (Australia) well-known artist, critic and gallerist. marlenesarroff.com

“What a fantastic line up of entries. I have chosen these two favorites:

1.  Tamara Van San. Very impressed by the organic nature of the work, the incredible play and freedom, within what sometimes is thought to be quite a rigid medium. The successful spatial arrangements of the works come together to make a most exciting installation.

2. Hubert Dobler. The marks are powerful. The suggestion of some quite aggressive action having taken place. The  unrestrained abandonment that disrupts the pristine space like a juvenile crime scene. Very masculine and youthful, but at the same time the marks have a mesmerising attraction that exudes rhythm, and movement."

Francisco Bassim (South America) 2011 Venezuela Representative to the  Venice  Biennale.  facebook.com/bassimarte

“I have chosen the work of Rachel Shatil, because it feels to me warm-hearted and it breaks with formality. It is like the summation of many things in few words; it captures a wonderful moment, causing this simple and wild image to hold all the humanity possible in an inanimate object.”

Zsolt Asztalos (Europe) 2013 Hungary Representative to the Venice Biennale, as well as a member of The 2015 Biennial Project Venice Biennale Entourage.   asztaloszsolt.com

“I choose Moira Agius. In her work the material and the inmaterial world come together in the same time. We can realise how the everyday life melts into transcendence. The artist demands the viewers to contemplate and to complete their deep absorption.”

Aissa Deebi (Africa) 2013 Palestinian Representative to the Venice Biennale and co-curator of the Palestinian Pavilion. aissadeebi.com

“This is my selection. Christine Comeau’s performance work, that has a social practice aspect. She is dealing with issues of exile, displacement and nomadism. I think her work is outstanding and she deserves to be selected for the award.”

Ian Boissonnault (North American) –  Artist and gallerist  on staff at Art New England.  facebook.com/i.boissonnault

"The Ian Boissonnault Biennial Project Its About Us North American Great Justice Primary Number One Prize goes to Christine Comeau  for her Cone People. We all wanted to know so much more about this piece, we were really drawn in, and the people involved for the most part looked like they were into the fact that they were in big conical orange outfits on carts. was it a part of a video? or a performance? the image haunted us for days in a good Patrick Swayze way. TELL US MORE.”

In addition to the work thoughtfully chosen by our esteemed international jurors, We The Biennial Project are proud to announce the following additional winners: Dara Lorenzo, Graehound,  Hildy Maze, Justin Augspurg, Megan Michalak, Paul Weiner, Svetlana Swinimer, Vladimira Sedlakova, and Walter Kopec.

Check out all the winning work:

AVB WINNERS SLIDESHOW

And it’s probably clear by now, but the AVB3 Grand Prize Triple Platinum Super Winners Best in Show Awards must go to Hubert Dobler and Christine Comeau for being the fav’s of so many.

More on both of them to come!

 alt=

GASOLINE 2 by Hubert Dobler

"

ArtVenice Biennale 3 Champagne Reception by Anna Salmeron

The Biennial Project presents

ArtVenice Biennale 3 Champagne Reception

Monday, May 4, 2015 6:00pm - 10:00pm 

VIA GARIBALDI 1791 Sestiere Castello Venezia, Italia

bbb

           image by Adamo Macri  http://adamomacri.blogspot.com/

The internationally renowned artist collaborative The Biennial Project is pleased to announce the  ArtVenice Biennale 3 Champagne Reception.

The ArtVenice Biennale 3 Champagne Reception is a large screen digital presentation being held at a delightful gallery space between The Arsenale and The Giardini in Venice, Italy during the Prestigious Press Preview Week of The Venice Biennale 56!!

All the  work from selected our international call for work will be displayed all night long via large screen video projections. The Biennial Project received over 1200 entries from more than 35 countries for this exclusive show!

14_CCMUTATION2014

image by Christine Comeau   http://christinecomeau.com/

Unlike most exhibition opportunities, this one is actually organized by ARTISTS – people who totally comprehend that you put your goddamned heart and soul into your work.

In addition to the winners that have been selected by The Biennial Project, ArtVenice Biennale 3 has 7 special prizes chosen by 7 internationally successful jurors representing each of the seven continents.

Szilvia Gyorgy, Frozen Explosion 2013, Installation at Willoughby Incinerator Art Space

image by Szilvia Gyorgy  http://www.szilverworks.com/

Come early at 5pm and see The Live Art Performance by Tom Estes at ‘'Parallax: Other Realms’. The performance will coincide with Estes' time at the newly founded Biennial Project Residency Project at the V70 building in Venice.

Also included in our reception will be a brief talk and images from the only actual ethnic Kenyan in this Kenyan pavilion — Yvonne Amolo, who has won awards for her film about racism.

The Biennial Project, your host of this event, is an artist collaborative whose goal is to explore the nature and understand the perception of biennials within the art world and, in so doing, to develop a collective body of work that will be exhibited in as many biennials as possible – especially the really cool ones.

ARTISTS SELECTED FOR INCLUSION IN THE ARTVENICE BIENNALE 3

c

      image by Michael St.Germain  http://mikesartnook.blogspot.com/

ARTVENICE BIENNALE 3 FACEBOOK INVITE

 

Arnett_Venice-00364

ArtVenice Biennale 3 Jurors Announced!

Venice54thegang-5810

We are proud to announce that the response to the call to entry for the ArtVenice Biennale 3 has been remarkable – we have already received hundreds of entries from 24 countries! And the deadline for entries is not even until Match 15th! Here is some more info about our excellent jurors:

JURORS:  All work will be juried by the internationally known art collective The Biennial Project, plus 7 internationally successful jurors representing each of the seven continents – who will each choose a Special Juror’s Prize Artist.

ENTER THE ARTVENICE BIENNALE 3 NOW

The Seven Art Star Special Prize Jurors are:Venice54thegang-25

Marlene Sarroff (Australia) well known artist, critic and gallerist. Marlene is on the right in the pic on the right, having just done an interview with Critical Run organizers at the 54th Venice Biennale

malenesarroff.com

 

 

ENTER THE ARTVENICE BIENNALE 3 NOW

Venice54 art-artists-parties-18

Francisco Bassim (South America) 2011 Venezuela Representative to the  Venice  Biennale – seen at left with Biennial Project member Anna Salmeron. 

www.facebook.com/bassimarte

ENTER THE ARTVENICE BIENNALE 3 NOW

Venice55-168

Albert Yonathan Setyawan (Asia) 2013 Indonesia Representative to the Venice Biennale (center)

albertyonathansetyawan.com

Zsolt Asztalos (Europe) 2013 Hungary Representative to the Venice Biennale (right) asztaloszsolt.com

 

ENTER THE ARTVENICE 3 BIENNALE NOW

970553_349797245149321_216652892_n

Aissa Deebi (Africa) 2013 Palestinian Representative to the Venice Biennale and co-curator of the Palestinian Pavilion.

aissadeebi.com

 

ENTER THE ARTVENICE 3 BIENNALE NOW

Person from Antarctica (Antarctica) – we are working on this.

1383669_10152058877889623_386516634_n

And of course the world famous collaborative The Biennial Project will select the recipient of The North American Prize. We will be assisted in this by artist and gallerist Ian Boissonnault – currently on staff at Art New England.

facebook.com/i.boissonnault

 

 

So many great jurors – so much great art! And you too can be part of the most exiting and lively show of the Spring season. Enter your work now – remember – the deadline is March 15th!

ENTER THE ARTVENICE 3 BIENNALE NOW

alectwitterbackground

The Boston Biennial 3 Introduces You to Some Amazing Art and Artists

"

 

The Boston Biennial 3 opened July 17th at Atlantic Works Gallery to a packed crowd of artists and art lovers!

10552545_803405276356752_2727884268122040549_n10420219_803404953023451_7117591506591707736_n1653570_803404653023481_2218954766953782089_n

 

 

If for some silly reason you missed this not-to-be-missed event, here’s a link to a video of the selected work:

Boston Biennial 3 Selected Artwork

 

And here is a sampling of some of this great art with comments on the pieces by the artists, plus links to see more work:

Open Arms, by Walter Kopec

WKopec_OpenArms

"This land is your my land, this land is my land..." Of course we were here first and it's our inalienable right of, you know, Finders Keepers. And it's not like we are bordering on paranoia... it's just that we don't create the problems... and it's not like we are the ones who are different... and that word..." alien"... but... I say we should be kinder... let's be gentler... no need to fortify the fences, nor buttress the barricades, forget the burdensome obstacles... we'll just welcome with Open Arms.

See more at: walterkopec.com

 

 

Memories Lost/Found #1 - Memories "undergo a complex process of reconstruction during retrieval." (Damasio; Feeling of What Happens, 227), by Laura Krasnow

Krasnow_MemoryLostandFound1

For me, defining a sense of place is the allure of the photographic image.  The instant, when time and place seem to merge to catch a moment.  But it is the imperceptible connections I seek to define.....when something catches your peripheral vision, but is gone when you turn for a longer glimpse.  My photographs aim to force the viewer to look beyond the obvious....to be present and aware of the physical and spiritual light within the subtleness.....to reveal the essence beyond the normal visual spectrum.

 

See more at: http://laurakrasnow.com

 

 

Frida, by Rachel Shatil

88234380

The pieces shown on the BB3 slide-show are part of a series which I call "The Absent Family". Every chair represent one person, usually a family member, most of whom vanished from the face of the earth during the most horrific assault performed by humans against their own kind, known as "The Holocaust". The stories of those people were told by my mother, a holocaust survivor, who embodied an incurable trauma, and dedicated her life to pass on her testimony. The chair called "Frida" represents a center figure in the story, my late grandmother and my mother's hero. She was last seen alive in the fall of 1943.

See more at http://www.rachelshatil.com

 

 

Notes on "ONE (A Space Timeline)", by Majorie Kaye

My sculpture has been about layering and piling cut pieces on top of each other, which lends itself to mirror natural forms such as pinecones, rock formations, etc.  It also is a statement and study of cause and effect, one piece's situation leading to the next, which is responsible in part, acting as magnetism, for phenomena in the natural world. In this piece, I have begun to utilize shingles, gluing them together, as they form a kind of wedge.  These are placed in between the cut plywood pieces to create an uneven area in between.  This leads to many possibilities of snake-like motions, "U", shapes, etc. The bending and warping of the layers created by the wedges signifies the warping of time, suggesting events on a timeline, and a oneness of space emerges.  This is the realization that time is an illusion, one big point in an endless stream of being.

See more at www.marjoriekayeart.com

 

 

All We Are Arises From Our Thoughts, by Carolyn Wirth

Wirth_Thoughts

This image is really a collaboration between me and my photographer, Teresa Coates (http://www.coatesestudio.com), who has a strong vision of the noir-ness in my sculpture. This piece is called "All We Are Arises From Our Thoughts," which is a fortune-cookie saying from my new series of the same name. In a lighthearted mood, I think of this sculpture as an encounter between Ozymandias and Chuckie. More pensively, I imagine it as embodying the divide between thought and feeling.

See more at http://cvw198.wordpress.com

 

 

Exuviae: barnacle (TAG0074), by Adamo Macri

Adamo_Macri_Barnacle_TAG0074

Exuviae is an ongoing project. The basis: an ecosystem built with a multitude of sculptural works created, then photographed. Collectively forming a photographic, abstract plantation. An allegorical narrative dealing with the delicacy of nature and its potential deceptive beauty. This particular photograph is one of the artworks in the Exuviae project.

See more at adamomacri.blogspot.ca, and facebook.com/Adamo.Macri

 

 

In Perpetuity, by Marlene Siff

61.InPerpetuity

In Perpetuity is one part of 47 paintings, works on paper and sculptures that became a solo exhibition at the Walsh Art Gallery in the Quick Center at Fairfield University in Fairfield, Connecticut, 2012. The exhibition entitled "Elements Of Peace" was my response to a desire to create spaces and gateways for people of all walks of life to come together to reflect on war and peace and to commemorate our "Fallen Heroes" in Afghanistan. All of the paintings entered in the BB3 are part of the series "Elements Of Peace".

See more at www.marlenesiff.com

 

 

Flirtation of meeting and parting, by Hildy Maze

flirtation of meeting and parting_oil on paper collage

To live the wound of love and yet not become scarred by despair or cynicism is a great living secret. How to live wounded without being chased by shadows and not merely 'endure'.

 

See more at http://hildymaze.com, and

http://issuu.com/artistportfoliomagazine/docs/northvssouth/87?e=2382761/8424055

 

 

LEGO Firearms 2014, by David Turner

IMG_4367

I am a Belfast-based artist who creates autobiographical work through toy mediums that reflect conflict, terrorism, and evoke critical commentary on present day violence and war.Growing up in turbulent Belfast, I was surrounded by violence and conflict. These events have had a direct influence on my life and artwork, causing me to revisit my adolescence and recreate these memories with childhood mediums such as LEGOs, Hama Beads, Plasticine, and jigsaw puzzles. My artwork presents a platform that is both a direct reflection of my childhood and the conflict I have experienced, as well as giving a voice to current atrocities, be they children of war, child soldiers, or children who have lost their lives or a loved one to gun violence. My most recent series of work have materialized in many forms, from two-dimensional depictions to fully functioning firearms, which break down contentions of representation and offer new and exploratory directions for investigating themes of conflict, war, self, and popular culture.

See more athttp://www.belfastarts.co.uk/ and

http://jungkatz.com/2014/07/03/artist-interview-david-turner/

 

 

 

3000 ans d'errance, by Christine Comeau

07.COMEAU_3000ANSDERRANCE_2011_24X36

3000 ans d'erranceis a performed installation, a choreographed tableau vivant. It is about the wandering of a small community of nomadic creatures pulling with them their mobile home. They are both curious and frightened by the discovery of this peculiar world. The topics of this project are about nomadism, exile, identities and networks between human being and their environment.The carts and tents have been made during a two months artists residency at Est-Nord-Est artists run center, St-Jean-Port-Joli, Quebec, in 2011. A photo shooting and a parade have been organized in the streets of the village and near the Saint-Laurent river, in the province of Quebec, Canada.

 See more at www.christinecomeau.com

 

 

A delicate Balance, by Nick Nazzaro

CAFE ADB

 

 

 

 

 

 

 

 

Originally this piece was going to be specifically about student debt, since I'm a recent college goer. After a lot of brooding, it became more about the 1% on top in general, with emphasis on the harm on they can cause. Some of these guys are true cartoon characters, getting away with dastardly deeds you'd only see from a goofy villain. If it wasn't so frighteningly sad, it'd be comical. My favorite part of the piece is the face. I wanted to bring it back to reality a little bit, and show this ugly mug, with a half finished, sort of sloppy, extremely red face. This whole process presented me with the question, "Are these people at top being corrupted by the money they make, or are only the corrupt able to get to the top?" 

See more at http://nicknazzaro.com

 

The Boston Biennial 3 is up until August 21st, so come on by and take a look:

ATLANTICWORKS.ORG

And come to the GALA BOSTON BIENNIAL CLOSING RECEPTION AUGUST 21ST 6-9PM!!!

 

"

Your Next Big Shot at Fame and Fortune!

"

              &n

 About the Boston Biennial

Call for Entry

 

The Biennial Project is wicked psyched to announce an open call to artists worldwide for Boston Biennial 3- an online juried competition and digital presentation being held at Atlantic Works Gallery in atmospheric East Boston all summer long!!  

   

Now how can turn down a shot at fame and fortune like this? You might get so rich you can eat Boston Cream Pie and Lobster all week down the Cape or in your walk up in Beacon Hill!!!

 

The potential for exposure is enormous! You'll be running with the big dogs here. Duh!! It's a no brainier...we want you to enter!  

 

We want the world to see your creations. We want you to be celebrated and wealthy. You must enter!!! You can be as happy as a Boston Brahmin on graduation day from Harvard.

 

It's About US

 

The Biennial Project is an artists' collaborative whose goal is to explore the nature and understand the perception of biennials within the art world and, in so doing, to develop a collective body of work that will be exhibited in as many biennials as possible - especially the really cool ones.

 

Our Event

If your Killa work is picked it will be shown on The Biennial Project website and in a blog posting reaching 3,000 very important people of influence in the art world.  

 

You know, The Big Wigs. Ain't that a Pissa!!

 

Best of all your art will also be presented a digital display at Boston Biennial 3. That's almost as asume as BoSoxs sweeping the The New York Stankies in the series.

 

Yankees Suck!!

Eligibility

Open to all artists.  Open to all media, including 2-D, 3-D, sculpture, photography, performance, video, installation mixed media, and art from a kit.

Our Jurors

All work will be juried by the internationally known art collective The Biennial Project with special guest juror. We are working out the details with a very, very important Boston Art Big Shot.  Maybe Yaz!!

 

 

Deadline for submission is July 1, 2014.  

 

 

ENTER THE BOSTON BIENNIAL 3

  

  

 

 logo

 

"

BIENNIAL ROADSHOW MARFA A SMASHING SUCCESS OF COURSE! by Anna Salmeron

"

"I'll tell you this. No eternal reward will forgive us now for wasting the dawn", Texas Radio and the Big Beat

 

A brief history of the past:
Near the beginning, there arose a prophet through whom the word* was revealed. He so reviled the sinfulness of the city that he determined to create a purer place where study of the word would be facilitated. He chose a small town in the remote Texas dessert for his endeavor, and commenced to create a grand compound of many buildings furnished to his detailed specifications. Word spread of the accomplishments of the prophet, and others who recognized the correctness of the his vision gravitated to this place. Pilgrims seeking a better understanding of the word began to travel there for study and reflection, which continues to this day.

A brief history of the week of 3/29-4/6/14
One small band of fervent seekers, also weary of the city and it's sin and endless dirty snow, arrives in said town for a week of such study and reflection.

blogtrailer4567blogpilgrims3blogpilgrims123

blogpilgrims1234blogpilgrims1blogpilgrims6

a6blogpilgrims2blogpilgrims234

 

Being a group with a long-established affinity for the wrong side of the tracks, they set up camp on the trailer-trash side of town. In trailers. Literally.

blogtrailers77blogtrailer22

blogericdancing1blogtrailer99

 

There they commence their study of the word, and of the town. Here follow a few impressions from this leg of their ongoing spiritual journey:

 

The Donald - thank you eternally Sir for having constructed pyramids in honor of your escaping, and thank you for letting us look at them - even if you didn't let us take pictures. Perfectly imposing constructions laid out just-so against the backdrop of the luscious Chihuahua dessert. Marvelous. Memorable. We were impressed, even if an evil little voice did whisper in our ear once or twice that as a theology it was perhaps just a wee bit, well, tidy.

blogdonald3blogdonald2blogericindonald

 

Dan Flavor Flav Flavin - This we loved. Totally intoxicating. So much visual pleasure we felt like kids on a truly excellent sugar high. This work alone would have made the trip worth it.

blogff16blogff15blogff3

blogff7blogff13

blogff10sonaianna2blogff9

 

Prada Marfa - The emptiness of commercialism. The fetishism of commodities. Man-made vs natural environments. Decay over time. The usual themes handled here with an extremely deft touch. Plus, it's fun. You try doing that. (Note to the State of Texas - we have a deal for you - back off on your plan to tear this place down and we agree to allow George W. Bush to continue to call himself a painter.)

blogjumpingstephblogjumpingbecryanblogjumpingsonia

beyonce-jumps-prada-marfablogjumpingericblogjumpingbec

blogjumpingryanblojumpinganna

 

El Cosmico - The above-mentioned trailer park. Only it's a trailer park as re-imagined by generous gurus on a particularly good batch of windowpane.  The perfect spot for your next wedding, bar mitzvah, acid trip. Did we mention the hot tubs?

bloghottub1blogelcos1

blogtrailer987bloghottubs4

Biennial Roadshow Marfa Opening Reception - The main event, held at El Cosmico. Sublime. The transcendence of life lived among art and artists. So much glorious art, and artists and art lovers to share it with. Proving once again that art is reason enough not to put a gun to your head. Did we mention the hot tubs?

10151423_740507745979839_991112926_nbloghottub2Biennial_Roadshow_Marfa_2014

bloghottub3there will be blood-page1

One of the highlights of the night was artist Artemis Herber – one of the prize winners and a truly amazing artist and person, speaking about her work. We are in total awe of her.

blogartemis1Biennial roadshow winners13

Biennial roadshow winners14blogartemis2

Biennial roadshow winners15

Check out more of her work here: artemisherber.com

Then there was the also amazing and really nice Karen Rosenkrantz – on the left below at the reception - who showed work from her witty and apropos series Cowboys, and had this to say about the event afterwards: Thanks so much for including me .. It was an interesting experience. I think I was particularly impressed that the entire cast of characters (of course) just showed up: artists, gallerists, curators , and buyers. ... Pretty amazing and nicely done. All the best.”  Right back at you Karen – you are great!

blogginnykarenroadshow complete_Page_086

Check out more of Karen’s work here: karenrosenkrantz.com

Another great participant was Ginny Barrett, who brought her human and canine entourage down from Austin for the event:

roadshow complete_Page_013blogginny2

We love her and her work! See more at: ginnybarrett.com

See all the Biennial Roadshow Marfa art here:

See the Biennial Roadshow prizewinners here:

Because this work is great, and because as artists ourselves we take seriously our responsibility to publicize the fuck out of your work, we are going to show all the Biennial Roadshow Marfa artwork on a large sreen for the entire Boston Biennial 2015 (July/August - Atlantic Works Gallery Boston). Come one, come all!

 

Community of Marfa and Environs - We offer our most most profound un-ironic thanks for warming our hearts, tanning our faces, and sending us back to Gomorrah with a skip in our step. Such a gorgeous, unique huge little town. We'll be back if you'll have us.

blogmarfa1blogpadresa3

a1a2

 

There is lots more to be told about Marfa. But it will have to wait for now. El Cosmico doesn't have cable, and those re-runs of Project Runway don't watch themselves.

XXOO,

The Biennial Project, in collaboration with the Biennial Roadshow Marfa Advisory Group.

* And the word is Minimalism.  (Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. Minimalism derives from the reductive aspects of Modernism and is often interpreted as a reaction against Abstract expressionism and a bridge to Postminimal art practices.)

"